Showing posts with label Amy X Neuburg. Show all posts
Showing posts with label Amy X Neuburg. Show all posts

Thursday, July 22, 2010

Amy X Neuburg: "The Secret Language of Subways" CD; downloadable

Amy X Neuburg's "The Secret Language of Subways" CD can be downloaded at iTunes, Amazon, eMusic, etc. The release has been enthusiastically received:
"Like Laurie Anderson joining up with Philip Glass or Annie Sofie Von Otter collaborating with Steve Reich."
- Audiophile Audition

“A beauty.”
- Vital Weekly

“Amy’s best work yet… She’s a massive talent whose work is always fresh and entertaining.”
- Will You Miss Me When I’m Gone?
Two years in the making, the CD consists of intricately composed, multiple layers of cellos topped by Amy’s distinctive and striking vocals; the songs range from intimate art-song ballads to electronics-based pop to Dadaist meanderings to lush symphonic arrangements. Sometimes the cellos are processed with electronic effects, other times heard in the expressive richness of their natural timbres.



Amy X Neuburg describes The Secret Language of Subways as “a song cycle about the inane and perpetually unfinished businesses of love and war — and New York.” The thirteen songs form a compelling dramatic arc, drawing the listener into a vivid, subterranean emotional journey. Starting from the hushed a cappella opening of One Lie, the CD makes local stops at urban paranoia (The Closing Doors, Body Parts), nocturnal reveries (the haunting-yet-catchy Someone Else’s Sleep), the surreal juxtapositions of street life (The Gooseneck, Difficult), self-preservation through self-presentation (the lilting, folkish Hey), and Amy’s stunning closer, the resigned, chorale-like Shrapnel.
“Neuburg's new song cycle teeters beguilingly on the boundary between pop and avant-garde performance art, and to hear it complete and in sequence is to marvel at the grace and elegance with which Neuburg walks that tightrope.”
- San Francisco Chronicle
Amy's vocals and electronics are accompanied by The Cello ChiXtet, comprised of Jessica Ivry, Elaine Kreston, and Elizabeth Vandervennet.

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A stylistically versatile, classically trained singer/composer with a four-octave range, Amy X Neuburg has developed a unique career bridging the boundaries between classical, experimental and popular music. Her ‘avant-cabaret’ songs combine her interests in language, expressive use of music technology, and exploration of multiple genres.

Monday, March 1, 2010

Best 2009 has Starkland, MinMax

Here's another finalized Best of 2009 list. It's great to see 3 releases from Starkland and MinMax here:


Joe Frawley Ensemble - Daughters Of Industry - Joe Frawley Music
http://www.joefrawleymusic.info/doi/doi.htm

Numinous - Vipassana: The Music of Joesph C. Philips - Innova http://www.numinousmusic.com/ or http://www.innova.mu/artist1.asp?skuID=356

The Ed Palermo Big Band - Eddy Loves Frank - Cuneiform Records
http://www.palermobigband.com/ or http://cuneiformrecords.com/bandshtml/palermo.html

Knitting By Twilight - Riding The Way Back ep - It's Twilight Time http://www.overflower.com/KnittingByTwilight_riding.htm


Ganesh Anandan / Hans Reichel - Self Made - Ambiances Magnetiques
http://www.actuellecd.com/en/cat/am_192/

Iain Armstrong - Electroacoustic Works - CD-R
http://iainarmstrong.net

Deep Wireless 6: Radio Art Compilation - New Adventures in Sound Art
http://www.naisa.ca/

Paranoid Entity - 4Closure - Paranoid Foundation
http://www.paranoidfoundation.com/

Danny Holt - First Jump -Innova
http://dannyholt.net/ or http://www.fitkin.com/ or
http://www.innovarecordings.com/artist1.asp?skuID=375

R. Stevie Moore - Phonography - ReR
http://www.rerusa.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=R...
or http://www.wtv-zone.com/rsmko/home.html

Beat Circus - Boy From Black Mountain - Cuneiform Records 
http://www.beatcircus.net/ or http://www.cuneiformrecords.com/press/BeatCircus-BFBM-PR.pdf

Markus Reuter / Ian Boddy - Dervish - DIN
http://www.din.org.uk/dervish/

Heiner Goebbels - The Italian Concerto - i dischi di angelica
http://www.heinergoebbels.com/ or http://www.aaa-angelica.com/aaa/disco-heiner-hoebbels-the-italian-con...
or http://www.rerusa.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code...

Jody Diamond - In That Bright World:  Music for Javanese Gamelan - New
World Records
http://www.gamelan.org/jodydiamond/ or http://www.newworldrecords.org/album.cgi?rm=view&album_id=82743

Susan Fancher - In Two Worlds - Innova (2009)
http://www.susanfancher.com or http://www.music.sc.edu/fs/bain/ or
http://www.innova.mu

Travis Sullivan's Bjorkestra - Koch Records
http://www.bjorkestra.com

Nik Baertsch's Ronin - Randoori  / Sha's Banryu  - Chessboxing Volume
1 / Nik Baersch's Mobile - Aer / - Ronin Rhythm Records
http://www.nikbaertsch.com/en//shop/?article=1002

Hsia-Jung Chang - Inside The Piano: 21st Century Improvisations -
Mandala Studios
http://hsiajungchang.com/recordings.html or http://mandalastudio.com/

Sandor Szabo / Kevin Kastning - Parabola - Greydisc
http://www.kevinkastning.com/
or http://www.myspace.com/sandorszaboofficial

The Bad Plus feat. Wendy Lewis - For All I Care - Do The Math Records
http://www.thebadplus.com/

Morglbl - Jazz For The Deaf - The Laser's Edge
http://www.christophegodin.com/english/ or
http://www.lasercd.com/ProductInfo.aspx?productid=FES4009 

Ozric Tentacles - The Yumyum Tree - Snapper Music 
http://www.madfishmusic.com/ozrictentacles/


SoCorpo - On Becoming - self-release
http://www.socorpo.com

Noveller (Sara Lipstate) - Red Rainbows - No Fun Productions 
http://www.sarahlipstate.com or http://www.nofunproductions.com

Secret Saucer - Tri-Angle Waves - Salad Farm Studio
http://www.myspace.com/secretsaucer

T.D. Skatchit - T.D. Skatchit & Company -
Edgetone Records (2009)
http://www.edgetonerecords.com/catalog/4096.html

Charity Chan - Somewhere the sea and salt - Ambiances Magnetiques
http://www.charitychan.com/Home.html or http://www.actuellecd.com/en/cat/am_188/

Radiation - UKZ - Radiation
http://www.ukzband.com/
 

Thursday, February 25, 2010

Amy X Neuburg: The Secret Language of Subways: Vital Weekly Review

Amy X Neuburg's The Secret Language of Subways CD has received a fine review at the influential Dutch publication Vital Weekly. Dolf Mulder writes:
A beauty this one. Let's say an album of "chamber pop". Dozens of references were triggered: Fibonaccis, Kurt Weill, opera, Kate Bush, cabaret, Laurie Anderson, Dagmar Krause, etc, etc. We have here a collection of 13 very accessible songs, but too much avant garde and experimental to reach a bigger audience I'm afraid. The first time I was impressed by the combination of voice and cello was through the work of Arthur Russell many years ago. On this new work of Amy X Neuburg we find the same combination. The classically trained voice of Neuburg combined with three equally skilled cello players: Jessica Ivry, Elaine Kreston and Elizabeth Vandervennet. Besides voice, Neuburg also makes effective and sparse use of electronics and drums. Also she uses the technique of multi-layering voices. It is surprising that this music was created for a live performance, what makes this recording even more astonishing as the role of technique is considerable. The creator is Amy X Neuburg who wrote all music and lyrics, except for the improvisation "Tongues" and the closing track "Back in NY" by Genesis. After Residue by Amy X Neuburg & Men, it took her about 5 years to return with a new CD, this time as Amy X Neuburg & The Cello Chixtet. I don't know much of her musical past. From what I understand she is best known for her live solo performances, using MIDI drum kit, sounds and samples.
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The Secret Language of Subways shows that Neuburg is open for many influences, eclectic in a way, but her pronounced musical language and vision binds everything strongly together following a convincing inner logic. This makes it sound all very natural and undivided. Her songs are carefully modeled and arranged. I guess it must have taken quite some time to sculpt all this material. For sure Neuburg is a very skilled composer, singer and performer. The narrative and dramatic content of the texts are very precise and beautifully accentuated in the music and its the performance. With each listening I discover new subtleties. No doubt this will continue.
Read more about Amy X Neuburg.

Wednesday, December 23, 2009

Lucid Culture: Amy X Neuburg CD: "Ambitious, dizzying"

Amy X Neuburg's The Secret Life of Subways has been reviewed at Lucid Culture.

They call Subways "a very ambitious, dizzying ride," adding that Neuburg "creates a loosely thematic series of surreal, theatrical, Bowie-esque vignettes and epics, some harsh and aggressive, others ambient and atmospheric."

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Visit Amy's website.

Tuesday, December 8, 2009

Amy X Neuburg CD: "Theatrical, outrageous, contagious"

Strings magazine writes about The Secret Language of Subways CD (from Amy X Neuburg and the Cello ChiXtet), including these comments:
"The Chixtet boast a tight ensemble sound. Theatrical, outrageous, and contagious—scoot over Bang on a Can."


This Subways CD is available at Amazon and CD Baby.

Amy is here.

Monday, November 30, 2009

Amy X Neuburg in LA

Amy X Neuburg continues to perform The Secret Language of Subways in cool concert settings. This time, she's part of the LA Philharmonic's West Coast/Left Coast festival.

Today in his blog, festival director John Adams writes:
"Those of you in the Los Angeles zip code are urged not to miss the spectacular Amy X Neuberg, who with her Cello ChiXtet will be performing tonight at Zipper Hall (right across the street from Disney Hall)... Don’t miss her show. She’s the best thing to come out Oakland since Jack London."
A CD of The Secret Language of Subways, released by MinMax earlier this year, already has pulled in some impressive reviews. Recently, Audiophile Audition wrote Amy's CD is "like Laurie Anderson joining up with Philip Glass or Annie Sofie Von Otter collaborating with Steve Reich."

Image and video hosting by TinyPic

This CD is available at Amazon.

CD Baby also has Subways in stock.

And it can be downloaded at iTunes.

Thursday, November 19, 2009

Amy X Neuburg CD: Like Laurie Anderson joining up with Philip Glass

"Like Laurie Anderson joining up with Philip Glass or Annie Sofie Von Otter collaborating with Steve Reich" is how Audiophile Audition describes Amy X Neuburg's The Secret Language of Subways CD.

This new review observes, "The thirteen tracks teeter and admirably balance between avantgarde, performance art, pop sensibilities and contemporary classical," adding that "its Neuburg's application of electronics and multi-layered lyrics that capture the imagination and captivate the listener."

Image and video hosting by TinyPic

Reviewer Doug Simpson concludes, "The production is exactingly recorded. The voices and strings are rich and resonant and Neuburg's vocals have articulate vibrancy while the cellos lose none of their natural timbres."

This CD is available at Amazon.

CD Baby also has Subways in stock.

And it can be downloaded at iTunes.

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Thursday, October 8, 2009

Amy X Neuburg: "The Secret Language of Subways": New CD

Amy X Neuburg has announced the release of her latest CD, The Secret Language of Subways, a cycle of thirteen avant-pop songs performed by Amy with backing from The Cello ChiXtet, a trio of women cellists. Amy and the ChiXtet will perform The Secret Language of Subways in Los Angeles as part of the LA Philharmonic’s West Coast: Left Coast festival, curated by John Adams (Nov. 30).

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Reviewing a live performance of Subways, Joshua Kosman wrote in the San Francisco Chronicle :
“Neuburg's new song cycle teeters beguilingly on the boundary between pop and avant-garde performance art, and to hear it complete and in sequence is to marvel at the grace and elegance with which Neuburg walks that tightrope… As serious as the cycle's overall import is, there’s a vein of wit that does wonders for the music. And when that humor bursts into full flower, as in the superbly drawn mental befuddlement of Dada Exhibit or the exuberant black comedy of Hey, the impact is irresistible.”
Amy describes The Secret Language of Subways as “a song cycle about the inane and perpetually unfinished businesses of love and war — and New York.” A stylistically versatile, classically trained singer/composer with a four-octave range, Amy is best known for performances with voice, electronic drums, and live looping in which she creates a chorus of layered voices and rhythms. Two years in the making, Subways consists of intricately composed, multiple layers of cellos topped by Amy’s distinctive and striking vocals; the songs range from intimate art-song ballads to electronics-based pop to Dadaist meanderings to lush symphonic arrangements. Sometimes the cellos are processed with electronic effects, other times heard in the expressive richness of their natural timbres. Neuburg explains:
“The idea for The Secret Life of Subways began in 2003 when I fell in love with the expressive voice-like quality, enormous pitch range, and dramatic look of the cello — I felt I had found a sort of instrumental kindred spirit to my own voice. I conceived most of these songs while sitting on the subway during a 3-year period when I lived part-time in New York — inspired by the rhythmic lull of the train, the fragmented meanderings of my thoughts, the dramas of recent world and personal events, and the deluge of sensory input that is New York itself. New York at that time presented such a vivid example of how life, love and art continue to move forward with full force, in spite of (or perhaps encouraged by) the fears and uncertainties of war.”
The thirteen songs form a compelling dramatic arc, drawing the listener into a vivid, subterranean emotional journey. Starting from the hushed a cappella opening of One Lie, Subways makes local stops at urban paranoia (The Closing Doors, Body Parts), nocturnal reveries (the haunting-yet-catchy Someone Else’s Sleep), the surreal juxtapositions of street life (The Gooseneck, Difficult), self-preservation through self-presentation (the lilting, folkish Hey), and Amy’s stunning closer, the resigned, chorale-like Shrapnel.

As an encore, Neuburg offers her ingenious arrangement of Back in NYC from Genesis’s groundbreaking 1974 concept album The Lamb Lies Down on Broadway.

The CD is released by Paul Dresher's MinMax Music label, which specializes in adventurous new vocal and music-theater works. Other MinMax CDs include Paul Dresher's Slow Fire, Steve Mackey's Ravenshead, and D'Arc: woman on fire from Jay Cloidt and Amanda Moody. All MinMax recordings are distributed by Starkland.

Amy X Neuburg has developed a unique career bridging the boundaries between classical, experimental and popular music. Her ‘avant-cabaret’ songs combine her interests in language, expressive use of music technology, and exploration of multiple genres using the many colors of her wide vocal range. She has performed at the Bang on a Can Marathon, Other Minds, and other festivals, universities, rock clubs, and concert halls throughout the U.S. and abroad. Commissions include works for Present Music, Santa Cruz New Music Works, Solstice, and others. As vocalist, Amy has been featured in contemporary operas and recordings including works by Robert Ashley, Culture Clash and Guillermo Galindo.

The Cello ChiXtet consists of Jessica Ivry, Elaine Kreston, and Elizabeth Vandervennet.

This CD is available at Amazon.

CD Baby also has Subways in stock.

And it can be downloaded at iTunes.

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