They call Subways "a very ambitious, dizzying ride," adding that Neuburg "creates a loosely thematic series of surreal, theatrical, Bowie-esque vignettes and epics, some harsh and aggressive, others ambient and atmospheric."
Visit Amy's website.
Wednesday, December 23, 2009
Lucid Culture: Amy X Neuburg CD: "Ambitious, dizzying"
Amy X Neuburg's The Secret Life of Subways has been reviewed at Lucid Culture.
They call Subways "a very ambitious, dizzying ride," adding that Neuburg "creates a loosely thematic series of surreal, theatrical, Bowie-esque vignettes and epics, some harsh and aggressive, others ambient and atmospheric."
Visit Amy's website.
They call Subways "a very ambitious, dizzying ride," adding that Neuburg "creates a loosely thematic series of surreal, theatrical, Bowie-esque vignettes and epics, some harsh and aggressive, others ambient and atmospheric."
Visit Amy's website.
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Wednesday, December 16, 2009
New Yorker: Kline's Daze "an audio-visual feast"
The New Yorker is yet another source of praise for Phil Kline's Around the World in a Daze DVD. Writing in their 2009: THE YEAR IN REVIEW section, Classical Editor Russell Platt blogs about a few "notable" releases previously unmentioned, including Daze:
Daze has now hit a Big Apple trifecta, favorably reviewed in The New York Times, New York Magazine, and The New Yorker.
Daze has been covered in over 20 publications, also including: Stereophile, Washington Post, Sound + Vision, Philadelphia Inquirer, Sequenza21, Audiophile Audition, and Fanfare.
“A special-project disk in which Kline created, out of extravagant electronic means, a series of tableaus [which] is an audio-visual feast that balances hipster zen with the seriousness of Bach and Wagner.”
Daze has now hit a Big Apple trifecta, favorably reviewed in The New York Times, New York Magazine, and The New Yorker.
Daze has been covered in over 20 publications, also including: Stereophile, Washington Post, Sound + Vision, Philadelphia Inquirer, Sequenza21, Audiophile Audition, and Fanfare.
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Monday, December 14, 2009
Denver: Unsilent Night premieres Dec. 16
Phil Kline's Unsilent Night will take place in Denver for the first time on Dec. 16.
Unsilent Night is Kline's free outdoor participatory sound sculpture of many individual parts, recorded on cassettes, CD's and mp3's, and played through a roving swarm of boomboxes carried through city streets every December. People bring their own boomboxes and drift peacefully through a moving surround-sound environment which is different from every listener's perspective.
Since its debut in 1992 in New York, Unsilent Night has become a cult holiday tradition, drawing crowds of up to 1,500 participants. It has also grown into a worldwide annual event that has been presented in over 45 cities and on three continents.
The New York Times writes, "Unsilent Night immerses the listener in suspended wonderment, as if time itself had paused inside a string of jingle bells.”
The Denver Pavilions lists this info:
View Larger Map
For further questions, contact:
Unsilent Night is Kline's free outdoor participatory sound sculpture of many individual parts, recorded on cassettes, CD's and mp3's, and played through a roving swarm of boomboxes carried through city streets every December. People bring their own boomboxes and drift peacefully through a moving surround-sound environment which is different from every listener's perspective.
Since its debut in 1992 in New York, Unsilent Night has become a cult holiday tradition, drawing crowds of up to 1,500 participants. It has also grown into a worldwide annual event that has been presented in over 45 cities and on three continents.
The New York Times writes, "Unsilent Night immerses the listener in suspended wonderment, as if time itself had paused inside a string of jingle bells.”
The Denver Pavilions lists this info:
Wed, 16th Dec, 5:00pmHere's the map:
Start: 5:00 PM at Denver Pavilions (North Plaza entrance)
End: 6:00 PM
View Larger Map
For further questions, contact:
Mary Clare Pittinos:Boulder's recent Unsilent Night was a big success, and we wish the best to this inaugural Denver event.
Phone: 720-217-6347
Email: mcp@prallmarketing.com
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Friday, December 11, 2009
Phil Kline's Svarga Yatra: Video
This video contains excerpts from Phil Kline's "Svarga Yatra," performed by Ethel, along with comments from Phil about composing the piece (from a John Schaefer interview).
The music is part of Phil Kline's Around the World in a Daze DVD, commissioned by Starkland.
The music is part of Phil Kline's Around the World in a Daze DVD, commissioned by Starkland.
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Wednesday, December 9, 2009
Village Voice: Phil Kline's Daze, more
This week's Village Voice includes an article about Phil Kline. Inspired by the upcoming performances of Phil's Unsilent Night, K. Leander Williams writes about other activities in Kline's busy 2009. We're pleased he's enthusiastic about the Around the World in a Daze double-DVD from Starkland, Phil's largest work to date. After noting the "promise of ruminative sonic immersion" offered by surround sound, Williams concludes "the music's power is undeniable."
Phil Kline's boomboxes, ready to go
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Tuesday, December 8, 2009
9 October 1940 – 8 December 1980
________________________
________________________
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Amy X Neuburg CD: "Theatrical, outrageous, contagious"
Strings magazine writes about The Secret Language of Subways CD (from Amy X Neuburg and the Cello ChiXtet), including these comments:
This Subways CD is available at Amazon and CD Baby.
Amy is here.
"The Chixtet boast a tight ensemble sound. Theatrical, outrageous, and contagious—scoot over Bang on a Can."
This Subways CD is available at Amazon and CD Baby.
Amy is here.
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Saturday, December 5, 2009
Unsilent Night in Boulder Dec. 11
Phil Kline's Unsilent Night will again take place in Boulder:
Unsilent Night is Kline's free outdoor participatory sound sculpture of many individual parts, recorded on cassettes, CD's and mp3's, and played through a roving swarm of boomboxes carried through city streets every December. People bring their own boomboxes and drift peacefully through a moving surround-sound environment which is different from every listener's perspective.
Unsilent Night, Boulder, CO 2007 (Photo: Tom Steenland)
Participants play the material on boomboxes (both cassettes and CDs), MP3 downloads on pod-docks, and other sound-blasters. People have even brought their laptops hooked up to large speakers mounted on a wagon.
Since its debut in 1992 in New York, Unsilent Night has become a cult holiday tradition, drawing crowds of up to 1,500 participants. It has also grown into a worldwide annual event that has been presented in over 45 cities and on three continents.
The New York Times writes, "Unsilent Night immerses the listener in suspended wonderment, as if time itself had paused inside a string of jingle bells.”
The Village Voice describes Unsilent Night as “a marvelously fluid, traveling spatial sound sculpture that disintegrates and reforms at nearly every stop light.”
Boulder is also the hometown of the Starkland label, which earlier this year released the only surround sound recording of Phil's spatial music, his Around the World in a Daze DVD.
Also, a stereo CD of Unsilent Night is available on Cantaloupe Music.
More info is here.
View Larger Map
| Date: | Friday, December 11, 2009 |
| Time: | 7:30pm - 8:30pm |
| Location: | Starts at the corner of Pearl and 13th Streets |
Unsilent Night is Kline's free outdoor participatory sound sculpture of many individual parts, recorded on cassettes, CD's and mp3's, and played through a roving swarm of boomboxes carried through city streets every December. People bring their own boomboxes and drift peacefully through a moving surround-sound environment which is different from every listener's perspective.
Unsilent Night, Boulder, CO 2007 (Photo: Tom Steenland)
Participants play the material on boomboxes (both cassettes and CDs), MP3 downloads on pod-docks, and other sound-blasters. People have even brought their laptops hooked up to large speakers mounted on a wagon.
Since its debut in 1992 in New York, Unsilent Night has become a cult holiday tradition, drawing crowds of up to 1,500 participants. It has also grown into a worldwide annual event that has been presented in over 45 cities and on three continents.
The New York Times writes, "Unsilent Night immerses the listener in suspended wonderment, as if time itself had paused inside a string of jingle bells.”
The Village Voice describes Unsilent Night as “a marvelously fluid, traveling spatial sound sculpture that disintegrates and reforms at nearly every stop light.”
Boulder is also the hometown of the Starkland label, which earlier this year released the only surround sound recording of Phil's spatial music, his Around the World in a Daze DVD.
Also, a stereo CD of Unsilent Night is available on Cantaloupe Music.
More info is here.
View Larger Map
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Thursday, December 3, 2009
Trimpin Film out
"There's a Trimpin film out!" Edgy Varrez exclaimed as he zoomed into Starkland headquarters. Indeed there is. The documentary "TRIMPIN: The Sound of Invention" premiered earlier this year, and has been making the rounds of film festivals in San Francisco, Vancouver, London, Denver, Barcelona, more. There's both a blog and website for the film, which has attracted some fine reviews.
For the uninitiated, Trimpin (that's his full name) is a wonderfully obsessive individual. Sui generis, par excellence. He creatively merges sculpture and music in unexpected ways, from a six-story-high microtonal xylophone to his own inventions that mechanically play nearly every instrument in the orchestra.
Perhaps his most famous undertaking is a tornado-shaped column of electric guitars called Roots and Branches, installed in Seattle's Experience Music Project (designed by Frank Gehry and financed by Microsoft co-founder Paul Allen). The guitars are both played and self-tuned automatically via Trimpin's mechanical wizardry.
Edgy eased himself into the Starkland mastering engineer's Aeron chair, popped open a sugar-free Red Bull, and began to reminisce.
"Back in 1989, I attended a new music festival in Telluride, Colorado, of all places." He explained most concerts took place that town's delightfully diminutive Sheridan Opera House, which seats 238.
"Upon entering the opera house, I immediately noticed that, hanging in a horseshoe shape from the balcony, there were about 100 Dutch wooden shoes. I learned each shoe contained a tiny mallet, which could be triggered to produce a sharp klonk via wires from each shoe that were attached to a Mac computer. All this had been built and assembled by the guy on stage, Trimpin." The music heard met the audience's expectations inspired by this elaborate setup. Complex, rapid patterns were especially clear because of the spatial configuration, achieving superhuman rhythmic effects.
Conlon Nancarrow was also in attendance, and somehow Trimpin ended up programming Nancarrow music to be performed on the encircling wooden shoes.
"One of the most magical evenings ever," said Edgy Varrez.
Trimpin sums his work up as:
For the uninitiated, Trimpin (that's his full name) is a wonderfully obsessive individual. Sui generis, par excellence. He creatively merges sculpture and music in unexpected ways, from a six-story-high microtonal xylophone to his own inventions that mechanically play nearly every instrument in the orchestra.
Perhaps his most famous undertaking is a tornado-shaped column of electric guitars called Roots and Branches, installed in Seattle's Experience Music Project (designed by Frank Gehry and financed by Microsoft co-founder Paul Allen). The guitars are both played and self-tuned automatically via Trimpin's mechanical wizardry.
Photo: EMP|SFM
Edgy eased himself into the Starkland mastering engineer's Aeron chair, popped open a sugar-free Red Bull, and began to reminisce.
"Back in 1989, I attended a new music festival in Telluride, Colorado, of all places." He explained most concerts took place that town's delightfully diminutive Sheridan Opera House, which seats 238.
"Upon entering the opera house, I immediately noticed that, hanging in a horseshoe shape from the balcony, there were about 100 Dutch wooden shoes. I learned each shoe contained a tiny mallet, which could be triggered to produce a sharp klonk via wires from each shoe that were attached to a Mac computer. All this had been built and assembled by the guy on stage, Trimpin." The music heard met the audience's expectations inspired by this elaborate setup. Complex, rapid patterns were especially clear because of the spatial configuration, achieving superhuman rhythmic effects.
Trimpin's wooden shoes, equipped with tiny mallets
Conlon Nancarrow was also in attendance, and somehow Trimpin ended up programming Nancarrow music to be performed on the encircling wooden shoes.
"One of the most magical evenings ever," said Edgy Varrez.
Trimpin sums his work up as:
"extending the traditional boundaries of instruments and the sounds they're capable of producing by mechanically operating them. Although they're computer-driven, they're still real instruments making real sounds, but with another dimension added, that of spatial distribution. What I'm trying to do is go beyond human physical limitations to play instruments in such a way that no matter how complex the composition of the timing, it can be pushed over the limits."Since those days, Trimpin has won considerable fame, including a MacArthur "Genius" Award in 1997. A fine article appeared in The New Yorker in 2006.
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Tuesday, December 1, 2009
Phil Kline's Unsilent Night Scheduled for December 2009
Phil Kline's Unsilent Night will take place in more than 25 cities around the world this December, adding for the first time London, Berlin, Denver, and Dallas.
Cities in the USA include: Albuquerque, Asheville, Baltimore, Boulder, Charleston, Chicago, Dallas, Denver, East Lansing, Los Angeles, Milledgeville, Missoula, New Haven, New York City, Philadelphia, San Diego, San Francisco, and Santa Fe.
Cities outside the USA include: Berlin (Germany), London (UK), Melbourne (Australia), Cambridge (Ontario), Vancouver (BC), and Fredericton (NB).
Details for each city's meeting place and time can be found here.
Unsilent Night is Kline's free outdoor participatory sound sculpture of many individual parts, recorded on cassettes, CD's and mp3's, and played through a roving swarm of boomboxes carried through city streets every December. People bring their own boomboxes and drift peacefully through a moving surround-sound environment which is different from every listener's perspective.
Since its debut in 1992 in New York, Unsilent Night has become a cult holiday tradition, drawing crowds of up to 1,500 participants. It has also grown into a worldwide annual event that has been presented in over 45 cities and on three continents.
The New York Times writes, "Unsilent Night immerses the listener in suspended wonderment, as if time itself had paused inside a string of jingle bells.”
The Village Voice describes Unsilent Night as “a marvelously fluid, traveling spatial sound sculpture that disintegrates and reforms at nearly every stop light.”
Time Out writes, "Kline's luminous, shimmering wash of bell tones is one of the loveliest communal new-music experiences you'll ever encounter, and it's never the same twice."
Participants play the material on boomboxes (both cassettes and CDs), MP3 downloads on pod-docks, and other sound-blasters. People have even brought their laptops hooked up to large speakers mounted on a wagon.
A CD of Unsilent Night is available on Cantaloupe Music.
The only surround sound recording of Phil's spatial music is his Around the World in a Daze DVD, released earlier this year by Starkland.
Cities in the USA include: Albuquerque, Asheville, Baltimore, Boulder, Charleston, Chicago, Dallas, Denver, East Lansing, Los Angeles, Milledgeville, Missoula, New Haven, New York City, Philadelphia, San Diego, San Francisco, and Santa Fe.
Cities outside the USA include: Berlin (Germany), London (UK), Melbourne (Australia), Cambridge (Ontario), Vancouver (BC), and Fredericton (NB).
Details for each city's meeting place and time can be found here.
Unsilent Night is Kline's free outdoor participatory sound sculpture of many individual parts, recorded on cassettes, CD's and mp3's, and played through a roving swarm of boomboxes carried through city streets every December. People bring their own boomboxes and drift peacefully through a moving surround-sound environment which is different from every listener's perspective.
Since its debut in 1992 in New York, Unsilent Night has become a cult holiday tradition, drawing crowds of up to 1,500 participants. It has also grown into a worldwide annual event that has been presented in over 45 cities and on three continents.
The New York Times writes, "Unsilent Night immerses the listener in suspended wonderment, as if time itself had paused inside a string of jingle bells.”
The Village Voice describes Unsilent Night as “a marvelously fluid, traveling spatial sound sculpture that disintegrates and reforms at nearly every stop light.”
Time Out writes, "Kline's luminous, shimmering wash of bell tones is one of the loveliest communal new-music experiences you'll ever encounter, and it's never the same twice."
Participants play the material on boomboxes (both cassettes and CDs), MP3 downloads on pod-docks, and other sound-blasters. People have even brought their laptops hooked up to large speakers mounted on a wagon.
A CD of Unsilent Night is available on Cantaloupe Music.
The only surround sound recording of Phil's spatial music is his Around the World in a Daze DVD, released earlier this year by Starkland.
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