New York's Spectrum Presents Surround Sound from Starkland

New York's new Spectrum venue, a technology-intensive site for innovative music and multimedia, has invited me to present a Starkland evening there on Monday June 18. Naturally my first thought was: Surround Sound. Fortunately I knew that Spectrum's overlord, the energetic Glenn Cornett, was a surround sound enthusiast.

The concert will focus on electroacoustic surround sound music I commissioned for two DVDs. (Starkland has likely commissioned more surround sound music for DVD than any other label in the world.)

The audience will hear a tidal wave of hyperdense bells, a trumpet reverberating for 7 seconds in a huge underground water tank, a spaced-out Ethel Quartet, West African balafons, a 14-foot long Quadrachord, a ghostly wailing wall, a weird madrigal, and 15,000 African parrots.

Commissioned composers include: Paul Dolden, Paul Dresher, Ellen Fullman, Phil Kline, Lukas Ligeti, Ingram Marshall, Merzbow, Meredith Monk, Bruce Odland, Pauline Oliveros, Maggi Payne, Carl Stone, and Pamela Z.

The concert will open with selections from Starkland's Immersion DVD-Audio, recognized by sources such as Pro Sound News and Billboard as the first such recording in history. Sound & Vision wrote:

"Not only a fascinating array of musical innovation but a persuasive exploration of the possibilities of surround sound... The care that went into this disc is carried through to the stylish onscreen graphics [and] the excellent printed program notes."

The second half of the concert will play most/all of Phil Kline's Around the World in a Daze DVD, a major 65-minute work commissioned by Tom as a followup to Immersion. (Another first-of-its-kind recording.) Phil's imaginative, rich use of surround sound space has dazzled many:

The New Yorker: "A special-project disk in which Kline created, out of extravagant electronic means... an audio-visual feast that balances hipster zen with the seriousness of Bach and Wagner."

Stereophile: "This adventurous music... ranges widely from ambient recordings that are surprisingly musical, to complex constructions that emerge as lyrical."

New York Magazine: "A set of sensational etudes."

Sequenza21: "Imaginary vistas that envelope, even overwhelm... Our always adventuresome friends at Starkland have outdone themselves this time."

An Extras DVD in the Daze release features a lengthy interview with Phil by John Schaefer. Time permitting, some of these sections may be shown.

The concert will feature a high quality surround playback system, installed by techmaster Lawrence de Martin.

Read more here.

Paul Dresher: "Casa Vecchia" CD: now digital

Paul Dresher's "Casa Vecchia" CD is now digitally distributed. Sources include iTunes, Amazon, and eMusic. The original CD picked up some fine reviews:

"Four works... by one of the best and most original of post-minimalist composers."
- Stereo Review

"Paul Dresher is perhaps the best of the postminimalist composers who learned at the altar of Reich, Riley, and Glass... A gorgeous gem."
- Wired

"Some of the most hypnotic music to come from his generation of renegade composers."
- Classical Pulse

The CD presented the premiere recording of one of Dresher's strongest and most engaging works. Commissioned and premiered by the Kronos Quartet, "Casa Vecchia" (performed here by Vienna's Ensemble 9) offers convincing minimalism within an evolving, cohesive structure. In his introduction, John Diliberto writes that "There’s a solemnity... that recalls the contemplative paths of Górecki and Pärt." Here's an excerpt from "Casa Vecchia":

The CD opens with the hypnotic "Underground," which originally appeared on Starkland's compilation CD, "From A to Z." "Atmospheric and otherworldly" (CMJ), it is perhaps Dresher's most ambient work.

The infectious "Mirrors," performed by Bang on a Can's Robert Black, deftly generates, weaves, and layers electronically processed materials within a virtuosic, real-time performance. "Other Fire" skillfully processes and combines environmental sounds into an evocative soundscape.

Fanfare’s review concluded that this "Starkland release is an excellent introduction" to "a significant emerging voice in American music."

Sound + Vision Praises Surround Sound, Starkland

The most widely read consumer electronics magazine in the world, Sound + Vision, focuses on surround sound and compliments Starkland's 2 surround DVDs in the new December issue. Their editorial comments include:

"We here at S+V continue to wholeheartedly embrace music in surround... Groundbreaking surround-sound releases are still coming from the likes of King Crimson, Porcupine Tree, Tom Petty & the Heartbreakers, and Genesis... Music in surround is here to stay."

They add that Phil Kline's Around the World in a Daze is one of the new "multi-channel titles that deserve a shout-out." Daze has also been praised in The New York Times, Stereophile, New York Magazine, Philadelphia Inquirer, and over a dozen other publications.

We are also quite pleased that Entertainment Editor Ken Richardson ranks Starkland's Immersion DVD as a "landmark" surround sound release. We agree! Immersion was the first commissioned hi-res surround recording, as well as being the first new music hi-res surround recording.

For the Immersion DVD, Starkland commissioned new surround works from Paul Dolden, Paul Dresher, Ellen Fullman, Phil Kline, Lukas Ligeti, Ingram Marshall, Merzbow, Meredith Monk, Bruce Odland, Pauline Oliveros, Maggi Payne, Carl Stone, and Pamela Z.

Pro Sound News declared that Immersion is the "first DVD-A released featuring works composed specifically for the new surround medium." Over a dozen publications praised the DVD, including Billboard, Stereophile, and Fanfare.

Tomlinson Holman, one of the world's leading surround sound authorities, stated "this fascinating disc" is among the first "to show composers stretching the boundaries of recorded sound by exploring the new possibilities inherent in DVD-Audio."

Visit Starkland for more about these 2 groundbreaking DVDs.

Rinde Eckert: Interview, "Slow Fire," "Ravenshead"

It’s great to see an interview with the mesmerizing Rinde Eckert appear at New Music Box. If you’re accustomed to his typically severe stage roles, here you find the more lighthearted realworld Rinde in a video that also includes excerpts from some of his creations. The interview is effectively handled by the diligent Molly Sheridan.

One of Rinde’s first major works was Slow Fire, an “electric opera” with music by Paul Dresher.

CD Review wrote about this CD:

"Rinde Eckert is like Laurie Anderson with an attitude or Tom Waits with a voice... Framed by a Dresher score that integrates hyper-kinetic, minimalist funk, mysterious atmospheres, gamelan cycles, and some burning electric guitar, Eckert gives a mesmerizing recitation... psychotic in its raw power."

Another impressive CD from with Rinde is Ravenshead, with music by Steve Mackey. USA Today anointed Ravenshead as the "Best Opera of '98,” remarking that Eckert delivered “a tour de force to Mackey's insinuating rock-influenced score."

The work combines Mackey's multi-faceted score, Rinde's dazzling physicality and mordant wit, and a superb performance by the Paul Dresher Ensemble to produce what the New York Press called "equal parts MTV video and Metropolitan Opera."

The Los Angeles Times wrote that the opera is "astonishing," that Eckert's "brilliant" performance "entertains us, amazes us and shatters us," and that Steve Mackey's music has "the energy of rock."

Rinde's discography is listed at his website.

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Amy X Neuburg: "The Secret Language of Subways": New CD

Amy X Neuburg has announced the release of her latest CD, The Secret Language of Subways, a cycle of thirteen avant-pop songs performed by Amy with backing from The Cello ChiXtet, a trio of women cellists. Amy and the ChiXtet will perform The Secret Language of Subways in Los Angeles as part of the LA Philharmonic’s West Coast: Left Coast festival, curated by John Adams (Nov. 30).

Reviewing a live performance of Subways, Joshua Kosman wrote in the San Francisco Chronicle :

“Neuburg's new song cycle teeters beguilingly on the boundary between pop and avant-garde performance art, and to hear it complete and in sequence is to marvel at the grace and elegance with which Neuburg walks that tightrope… As serious as the cycle's overall import is, there’s a vein of wit that does wonders for the music. And when that humor bursts into full flower, as in the superbly drawn mental befuddlement of Dada Exhibit or the exuberant black comedy of Hey, the impact is irresistible.”

Amy describes The Secret Language of Subways as “a song cycle about the inane and perpetually unfinished businesses of love and war — and New York.” A stylistically versatile, classically trained singer/composer with a four-octave range, Amy is best known for performances with voice, electronic drums, and live looping in which she creates a chorus of layered voices and rhythms. Two years in the making, Subways consists of intricately composed, multiple layers of cellos topped by Amy’s distinctive and striking vocals; the songs range from intimate art-song ballads to electronics-based pop to Dadaist meanderings to lush symphonic arrangements. Sometimes the cellos are processed with electronic effects, other times heard in the expressive richness of their natural timbres. Neuburg explains:

“The idea for The Secret Life of Subways began in 2003 when I fell in love with the expressive voice-like quality, enormous pitch range, and dramatic look of the cello — I felt I had found a sort of instrumental kindred spirit to my own voice. I conceived most of these songs while sitting on the subway during a 3-year period when I lived part-time in New York — inspired by the rhythmic lull of the train, the fragmented meanderings of my thoughts, the dramas of recent world and personal events, and the deluge of sensory input that is New York itself. New York at that time presented such a vivid example of how life, love and art continue to move forward with full force, in spite of (or perhaps encouraged by) the fears and uncertainties of war.”

The thirteen songs form a compelling dramatic arc, drawing the listener into a vivid, subterranean emotional journey. Starting from the hushed a cappella opening of One Lie, Subways makes local stops at urban paranoia (The Closing Doors, Body Parts), nocturnal reveries (the haunting-yet-catchy Someone Else’s Sleep), the surreal juxtapositions of street life (The Gooseneck, Difficult), self-preservation through self-presentation (the lilting, folkish Hey), and Amy’s stunning closer, the resigned, chorale-like Shrapnel.

As an encore, Neuburg offers her ingenious arrangement of Back in NYC from Genesis’s groundbreaking 1974 concept album The Lamb Lies Down on Broadway.

The CD is released by Paul Dresher's MinMax Music label, which specializes in adventurous new vocal and music-theater works. Other MinMax CDs include Paul Dresher's Slow Fire, Steve Mackey's Ravenshead, and D'Arc: woman on fire from Jay Cloidt and Amanda Moody. All MinMax recordings are distributed by Starkland.

Amy X Neuburg has developed a unique career bridging the boundaries between classical, experimental and popular music. Her ‘avant-cabaret’ songs combine her interests in language, expressive use of music technology, and exploration of multiple genres using the many colors of her wide vocal range. She has performed at the Bang on a Can Marathon, Other Minds, and other festivals, universities, rock clubs, and concert halls throughout the U.S. and abroad. Commissions include works for Present Music, Santa Cruz New Music Works, Solstice, and others. As vocalist, Amy has been featured in contemporary operas and recordings including works by Robert Ashley, Culture Clash and Guillermo Galindo.

The Cello ChiXtet consists of Jessica Ivry, Elaine Kreston, and Elizabeth Vandervennet.

This CD is available at Amazon.

CD Baby also has Subways in stock.

And it can be downloaded at iTunes.

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Starkland Composers (A-H) + Recordings

Starkland’s composers (A-H) linked to their recordings:

• Charles Amirkhanian
• Phillip Bimstein (Garland Hirschi’s Cows)
• Phillip Bimstein (Larkin Gifford’s Harmonica)
• Jay Cloidt
• Tod Dockstader (Quatermass)
• Tod Dockstader (Apocalypse)
• Paul Dolden
• Paul Dresher
• William Duckworth
• Robert Een
• Fred Frith
• Ellen Fullman
• Lars Hollmer